By Anne Butler
Photos by Bonnie Marquette
Pssssssst! Wanna hear a secret? There’s a rumor going around, about that handsome devil Kix Brooks, alleging that he was seen in my bedroom… You know, Shreveport native Kix Brooks, iconic country music star, soulful twang and trademark big black cowboy hat, one-half of Grammy award-winning Brooks & Dunn, multiple recognitions as Country Music Association’s Duo of the Year, singer-songwriter now also into acting, movie producing, wine making, radio show hosting, and a multitude of other ventures.And yeah, it’s actually true! Unfortunately I wasn’t present at the time, but it was all part of the most recent movie filming in St. Francisville, a romance called “Home By Spring” set to air on the Hallmark television channel March 31. Besides Brooks, who served as executive producer as well as actor (and yes, he did play his guitar and introduce a new song), other stars include delightful young London-based actress Poppy Drayton, plus Mary-Margaret Humes and Steven R. McQueen who just happens to be the grandson of the late Hollywood action star Steve McQueen. Screenplay was written by Brooks’ son.
Filmed at Butler Greenwood Plantation and other locations in the St. Francisville area throughout the dreary cold month of February but featuring full-flowered spring settings, with wedding and reception scenes requiring colorful fresh flowers, the production crews spent hundreds of dollars at plant nurseries and florists throughout the St. Francisville area on plants and floral arrangements. They also enriched the local economy with extensive purchases at hardware stores for building sets and props, antiques co-ops, gift shops, art rentals, service stations for gassing up the huge fleet of trucks and transportation vans, restaurants, markets and grocers for prepared prop foods. Extras were also hired to appear in some scenes, like the wedding on the front lawn of Butler Greenwood and for the festival crowd in downtown St. Francisville by the parish courthouse.There were location rentals and overnight accommodations for a large crew…actors and directors, producers, production coordinators, script supervisors, camera crew, set lighting, grips, sound technicians, art department and set decorating, props, costumes, makeup, hair, casting, special effects, not to mention an on-site medic and caterer. Staging for the large trucks and trailers was an additional expense, necessitating many loads of gravel in what seemed like incessant rain. Movie scout Bonnie Marquette estimated total local movie spending at $1.8 million.
Says Laurie Walsh, “They do contribute greatly to the community when they are filming here.” Walsh, as director of the parish tourist commission and manager of the St. Francisville Main Street program, serves as film liaison for both the parish as a whole and for inside the town limits. A no-fee film permit is required, as is insurance coverage. Her involvement, she explains, is to assist location scouts in finding properties that fit their project needs, helping arrange scouting and reaching out to the property owners, then stepping out of the picture. She can also reach out to local accommodations to set up initial contacts when film crews need assistance with lodging. If public property or streets are to be used in filming, she helps facilitate that as well.“We really act as a go-between and we do not get compensated or enter into any negotiations. But we see both direct and indirect impact of the movie footprint here when they rent locations, utilize overnight rooms, and reach out to the community for other goods and services.” Among recent film projects Walsh has worked with are GI Joe 2, Bonnie & Clyde, Magnificent 7, Hap & Leonard, Kamp Kool Kids, Starbright, The Zoo, Underground, Blaze, Backroads, Jeepers Creepers 3, Oblivion, Maze Runner, Beautiful Creatures, Nocturna, Final Girls, and “a bunch of commercials.”
With its picturesque preserved downtown district listed in its entirety on the National Register of Historic Places, St. Francisville is a little town that steps back in time very easily; throw a little dirt on the streets and you’re back in the 19th century. Add to that the wealth of natural resources in the surrounding Tunica Hills, with terrain varying from steep hills and deep hollows, clear-running creeks with sandy beaches and towering bluffs, the Mississippi River, historic plantations and formal gardens, and even that least-likely of tourist attractions the state penitentiary at Angola, and the St. Francisville area can provide just about any setting movie-makers are looking for. Best of all, “Home By Spring” is actually using St. Francisville’s name, promotion you couldn’t put a price on.
In 2013, Louisiana was ranked Number One in international film production, even above California. Revisions capping the motion picture tax credit program in 2015 caused a drop-off of some 90%, after criticism of the tax program’s return on investment. But ROI is what the state collects in taxes versus what is issued in tax credits, discounting the ancillary impacts, the trickle-down benefits. Now the film industry is enjoying a steady comeback, because in 2017, according to the executive director of entertainment at Louisiana Economic Development, legislative revisions have made the tax credit program more sustainable and have restored filmmakers’ confidence in it, plus adding incentives for permanent job creation, for local spending and for production throughout the state. In New Orleans alone, three feature films and four television series are currently in production, with three other feature films having wrapped recently and two major features in preproduction. Tom Hanks is filming Greyhound in Baton Rouge, a $50 million production, and other big productions are on location in other areas around south Louisiana.Louisiana’s Economic Development Secretary is excited by the uptick. “Entertainment production is a good fit for Louisiana’s creative culture and skilled workforce,” he said. “Our entertainment program provides jobs and economic activity. For every dollar invested through entertainment tax credits, there is an economic impact of $4.68 across the Louisiana economy.” Not all legislators are on board; one Metairie Republican recently tweeted, “We divert more than $150 million a year away from important priorities like higher education so that we can see Tom Hanks in a restaurant.”
But to a little town like St. Francisville, to see a celebrity like Kix Brooks dining at The Francis or Magnolia Café or one of the other local restaurants doesn’t just give residents a thrill. It also means an awesome boost to the local economy, where $1.8 million spread among all the little businesses in town sure can help.Located on US Highway 61 on the Mississippi River between Baton Rouge, LA, and Natchez, MS, the St. Francisville area is a year-round tourist destination. A number of splendidly restored plantation homes are open for tours: The Cottage Plantation (weekends), Myrtles Plantation, Greenwood Plantation, plus Catalpa Plantation by reservation; Afton Villa Gardens is open in season and is spectacular. Particularly important to tourism in the area are its two significant state historic sites, Rosedown Plantation and Oakley Plantation in the Audubon state site, which offer periodic living-history demonstrations to allow visitors to experience 19th-century plantation life and customs.
The nearby Tunica Hills region offers unmatched recreational activities in its unspoiled wilderness areas—hiking, biking and especially bicycle racing due to the challenging terrain, birding, photography, hunting, and kayaking on Bayou Sara. There are unique art galleries plus specialty and antiques shops, many in restored historic structures, and some nice restaurants throughout the St. Francisville area serving everything from ethnic cuisine to seafood and classic Louisiana favorites. For overnight stays, the area offers some of the state’s most popular Bed & Breakfasts, including historic plantations, lakeside clubhouses and beautiful townhouses right in the middle of St. Francisville’s extensive National Register-listed historic district, and there are also modern motel accommodations for large bus groups.
For visitor information, call West Feliciana Tourist Commission and West Feliciana Historical Society at 225-6330 or 225-635-4224, or St. Francisville Main Street at 225-635-3873; online www.stfrancisvillefestivals.com, www.stfrancisville.net or www.stfrancisville.us (the events calendar gives dates and information on special activities like the April 1 Easter Sunrise Service at Hemingbough, the Angola Prison Rodeo April 21 and 22, and the Tunica Hills Music Festival April 21 in Parker Memorial Park featuring more than a dozen musical groups like the Fabulous Bagasse Boys, Cupcake Strippers, the Levee Road Review, Chris House, Bonfire Band and more).
The forty-seventh annual Audubon Pilgrimage March 16, 17 and 18, 2018, celebrates a southern spring in St. Francisville, the glorious garden spot of Louisiana’s English Plantation Country. For nearly half a century the sponsoring West Feliciana Historical Society has thrown open the doors of significant historic structures to commemorate artist-naturalist John James Audubon’s stay as he painted a number of his famous bird studies and tutored the daughter of Oakley Plantation’s Pirrie family, beautiful young Eliza. A year’s worth of planning and preparation precedes each pilgrimage, and with 47 years of experience under their belt, society members put on one of the South’s most professional and enjoyable pilgrimage presentations. This year’s breath of fresh air comes from never-before-shown properties and enthusiastic new owners of old houses.
Another country plantation home with a remarkable history is glorious Greek Revival Greenwood, which has enjoyed more than its fair share of miraculous resurrections. Its story began in 1798, when widowed Olivia Ruffin Barrow journeyed by covered wagon to Spanish Feliciana. One of her grandsons would elope with young Eliza Pirrie, Audubon’s pupil. In 1830 Olivia’s son William Ruffin Barrow engaged prominent architect James Coulter to build a fine home on family property that would grow to 12,000 acres.
An earlier country home also featured for the first time on the Audubon Pilgrimage this year is The Cedars, its design and first cash crop—tobacco—bespeaking the Virginia background of original owner Simon Hearty, for whom the property was surveyed beginning in 1790. The house was built between 1793 and 1795, and it was said that the artist John James Audubon sketched the birdlife on Cedars Lane and visited with the family there. After Thomas Butler purchased the property from his mother-in-law in 1879, his two daughters, Mamie and Sarah, who stayed in New Orleans after graduating from Newcomb, returned as spinsters to spend weekends in a house enlarged with two-story octagonal additions; subsequent owners, the Fred Kings, raised a family in a home they too improved.
In historic downtown St. Francisville are a couple of featured cottages across from the parish courthouse. Miss Lise’s Cottage was originally built in Bayou Sara, the flood-prone port city on the banks of the Mississippi River. In the late 1800s it was hauled up the hill into St. Francisville, safe from the floodwaters, its two rooms home for the first “telephone girl” whose early switchboard was on the second floor of the nearby bank.
Some of the best-loved pieces descend from Dart’s grandfather, an engineer and attorney whose law office next door to Miss Lise’s Cottage is now home to Kora, Grezaffi and Levasseur Capital Management (yes, the same Grezaffi whose home The Cedars is another pilgrimage feature). Built in 1842, it has housed such notable barristers as Uriah B. Phillips who was blown up in a mid-1800s steamboat explosion, and Louisiana’s last antebellum governor Robert C. Wickliffe.
Other events planned for March in St. Francisville include A Walk in the Park on Saturday, March 3, from 9 to 4, bringing a festive gathering of musicians, artists and craftsmen to oak-shaded Parker Park.
“Steamboat’s a’coming!” That excited cry from plantation landings and municipal wharves heralded the first sighting of one of the big, fancy floating palaces of the 19th century coming around the bend. Traversing that era’s main transportation corridor--the Mississippi River, the boats were lifelines to the world for isolated little communities, bringing news and mail, passengers, trade goods and fine furnishings, and picking up the all-important cotton crop for shipment to markets around the globe. All through the 1800s these vessels came and went, until the coming of the railroad and safer overland transportation options put them out of business.
It’s a win-win situation. The well-travelled passengers come from all over the globe, but they all say that St. Francisville’s charming downtown is one of their very favorite stops along the river. The entire downtown area is listed on the National Register of Historic Places as a Historic District, and it is also a Main Street community as well, participating in the National Trust program designed to recognize significant early downtown areas across the country. Over the years, the mix of residential and commercial structures has given St. Francisville a 24-hour presence downtown, important in keeping it alive and vital, and visitors are impressed with its cleanliness and friendliness as well as its sense of place and appreciation of history.
St. Francisville’s wonderful little shops say the boat customers mean the difference between surviving and thriving. With the advent of online shopping, overall retail stores across the country have suffered tremendous losses; in 2017 nearly 70,000 retail jobs disappeared and big-name department stores closed as did many malls. But surprisingly, the little independent retailers are seeing a resurgence of business. It’s the personal attention, unique inventory and proximity to other venues that have kept customers patronizing these mom-and-pop stores.
This year there are more than 100 steamboat stops scheduled for St. Francisville. These upscale riverboats offer their passengers a cultural learning experience and a more relaxed way to travel than the enormous ocean-going cruise ships overflowing with rowdy young funseekers.
Both of these, American Queen Steamboat Company and American Cruise Lines, hire local guides whose knowledge of area history and attractions enhance the experience of visitors going on the premium tours and guided shore excursions. This expands the economic impact of riverboat passenger visits beyond the downtown shops, providing additional reward for area plantations and attractions as well as local residents serving as bus guides. Additionally, the motorcoach drivers often spend the night as they follow the boats on land, providing income for local overnight accommodations, restaurants and gas stations.
One of the most significant and earliest of Louisiana’s state historic sites, Oakley Plantation and its surrounding hundred wooded acres reopened with an old-time Christmas celebration the first weekend in December after being closed for nearly a year for lead abatement. During that time the house underwent a complete exterior restoration and was repainted in the original colors, white with darker green trim, plus interior paint touch-ups and furniture conservation. Popular as the central focus of the Audubon State Historic Site for more than half a century, Oakley is a splendid West Indies-style three-story structure with jalousied galleries and has a fascinating visitor center/museum, picnic facilities and hiking trails, detached plantation kitchen reconstructed on original foundations with weaving and wash rooms, a barn full of horse-drawn vehicles and farm implements, and several rustic slave cabins.
A glorious double-galleried Greek Revival structure embraced by the surrounding 28 acres of formal gardens, the house at Rosedown was constructed in the 1830s and remained for more than a century in the original family. Now owned by the state, it is not only a State Historic Site but also a National Historic Landmark in recognition of its enormous significance. A number of original outbuildings remain, and as at Oakley they are often used to illustrate various facets of early plantation life, as are the grand gardens.
Yet another plantation house that has found new energy and enthusiasm with a new generation is The Myrtles, which has its own connections with Oakley Plantation and Audubon’s pupil Eliza. Eliza’s mother Lucretia Alston Pirrie’s first husband was Ruffin Gray; her sister Ann Alston was the wife of early settler Alexander Stirling, and their son, born in 1795 and named Ruffin Gray Stirling for his uncle, purchased The Myrtles in 1834.
Located on US Highway 61 on the Mississippi River between Baton Rouge, LA, and Natchez, MS, the St. Francisville area is a year-round tourist destination. A number of splendidly restored plantation homes are open for tours: The Cottage Plantation (weekends), Myrtles Plantation, Greenwood Plantation, plus Catalpa Plantation by reservation; Afton Villa Gardens and Imahara’s Botanical Garden are open in season and are both spectacular. Particularly important to tourism in the area are its two significant state historic sites, Rosedown Plantation and Oakley Plantation in the Audubon state site, which offer periodic living-history demonstrations to allow visitors to experience 19th-century plantation life and customs .
Take a tip from Henry David Thoreau, born in the summer of 1817, who despaired of seeing his fellow men leading “lives of quiet desperation” and sought solitude in the woods by Walden Pond. There he “wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.”
Just south of St. Francisville on Highway 965 are several child-friendly hiking venues. Audubon State Historic Site has short trails through the hundred-acre park surrounding historic Oakley Plantation house (the house itself is temporarily closed for lead-abatement, but visitors are welcome on the grounds). Nearby Mary Ann Brown Preserve, 109 acres donated to The Nature Conservancy as a memorial, has interpretive trails as well as facilities for scout or school groups to picnic and camp with advance reservations.
Also in the Tunica Hills but entered just above the Mississippi state line is the popular Clark Creek Natural Area with challenging trails leading to a series of waterfalls. This area is reached from St. Francisville via US 61 north, left onto LA 66, right onto Hwy. 969 (Pinckneyville Road), then left onto Fort Adams Road at the old Pond Store (well worth a visit). A nominal contribution is payable at the trailhead parking area. The first two falls are reached by established trails; the rest require some challenging hiking.
Today the area still celebrates its huge population of both resident and migratory birdlife with an annual event highlighting the unique hummingbird feeding and breeding habitat that entices ruby-throats to linger awhile in the months between late March and early September as they migrate between South/Central America and Canada. The Hummingbird Festival is set in two private gardens for Saturday, September 9, from 7 a.m. to 3 p.m., when there should be an abundance of migratory hummers on their way south for the winter. Vendors offer hummingbird-attractive plants and equipment, while hummingbird biologists Linda Beall and Nancy Newfield capture and band birds, giving visitors the rare opportunity to observe the tiny creatures up close as they are being weighed and measured. The banding sites are the homes of Carlisle Rogillio on Tunica Trace (his 400-acre National Wildbird Refuge sponsors the event this year, the 17th festival) and artist Murrell Butler on Oak Hill Road, both of which usually attract dozens of hummingbirds.
The nearby Tunica Hills region offers unmatched recreational activities in its unspoiled wilderness areas—hiking, biking and especially bicycle racing due to the challenging terrain, birding, photography, hunting, and kayaking on Bayou Sara. There are unique art galleries plus specialty and antiques shops, many in restored historic structures, and some nice restaurants throughout the St. Francisville area serving everything from ethnic cuisine to seafood and classic Louisiana favorites. For overnight stays, the area offers some of the state’s most popular Bed & Breakfasts, including historic plantations, lakeside clubhouses and beautiful townhouses right in the middle of St. Francisville’s extensive National Register-listed historic district, and there are also modern motel accommodations for large bus groups.
While St. Francisville developed on a high ridge overlooking the river, the port city of Bayou Sara was established in the late 1790s right on the banks of the Mississippi. Center of commerce for the surrounding plantation country, with a mile of warehouses to store cotton plus extensive residential and commercial sections, Bayou Sara was one of the 19th century’s most important river ports.
The 1912 flood devastated areas all along the river, leaving hundreds homeless as rescue trains rushed to flooded areas to evacuate residents. At Bayou Sara, one newspaper account said, “The streets are under 25 feet of water. When the water rushed in late yesterday, houses were toppled from their foundations. A great sheet of water leaping through a gap in the levee 300 feet wide swept everything before it. The smaller buildings were dashed against the more substantial structures and the debris carried on by the flood…Men and women ran wildly into their homes, picked up their children and fled, leaving all their belongings behind. Others took their positions in boats, and were picked up by the crest of the flood and carried miles from the town.”
St. Francisville, high atop the bluff overlooking the site of Bayou Sara, beckoned survivors, and up the hill they came, merchants and families, businesses, even some houses. The 19th-century Bayou Sara residents salvaged what they could of damaged homes and stores, and moved on up the hill to rebuild their lives and re-establish their businesses safe from the floodwaters.
Stark white walls and ebonized flooring decorated with black Argentine cowhides set off a thoughtfully curated collection of modern art, and the few antique pieces are the crème de la crème of family treasures. New York meets Creole modern, they call it, and the balance works perfectly, a striking juxtaposition of antique and contemporary furnishings and original artworks.
Beloved historian and preservationist Libby Dart always said St. Francisville’s Audubon Pilgrimage tour of historic homes and gardens had as much to teach the locals as the visitors---an appreciation of area heritage, a spirit of community, a sense of place, all still relevant today. And this year’s pilgrimage taught in a new way another lesson from what might be called a bird’s eye view: appreciate what you’ve got, because when it’s gone, it’s gone.
Many of the birds he found in the area are still around today, but some are not. The passenger pigeon, for example, in the 1850s was the most abundant bird in North America, maybe even the world, with 19th-century migrations darkening the skies and some 136 million breeding adults devouring farm crops and nesting in trees whose overloaded branches would sag to the ground. But by the 1890s wild flocks numbered in the dozens rather than hundreds of millions. The once prolific Carolina parakeet (parrot) was hunted for sport and meat into extinction. The Ivorybilled Woodpecker was another one lost, though some optimists still hold out hope of finding a few in remote areas; the last of this huge bird was said to have been shot, and by a state legislator who should have known better.
And from these losses do come lessons. Local artist/naturalist Murrell Butler, who marvels at what Audubon must have seen in this vast habitat teeming with birds, notes some successful comebacks, notably bald eagles, wild turkeys, egrets, roseate spoonbills that were also killed for their rosy plumage, even a tiny resettled population of whooping cranes. And he also points out that there are some new species that have arrived in the state since Audubon’s time…English sparrows, European starlings, cattle egrets probably blown by hurricane winds from Africa in the fifties first to the Bahamas and then the mainland U.S., new types of doves from Europe and Mexico, and others.
Of course there have been flush times and lean years, too; all was not moonlight and magnolias, and some historic structures were regrettably lost. But much has been preserved, and the 1700 or so town residents count their blessings as they stroll the bricked sidewalks beneath overhanging live oaks, past whitewashed picket fences and gingerbread galleries, lawns abloom with azaleas or camellias or crepe myrtles depending on the season, and front porch rockers beckoning after a busy day.
The month of April is full of activities in the St. Francisville area, beginning April 1st with an Easter Egg Hunt for children at Rosedown State Historic Site from 1 to 5; the plantation gift shop also has a special Civil War exhibit throughout the month. April 16 Arlin Dease hosts the spectacular Easter Sunrise Service, nondenominational and free for all, in the lakeside Greek amphitheater at Hemingbough. The enormously popular Angola Prison Spring Rodeo and Craft Show draws crowds Saturday and Sunday, April 22 and 23; grounds open at 9 a.m., rodeo starts at 2 p.m., and visitors are advised to remember that this is a penitentiary and regulations should be followed to the letter. April 28 Grace Episcopal Church provides an acoustically perfect setting for Baton Rouge Symphony’s concert featuring a string quartet, while the Tunica Hills Music Festival is set for April 29. For information, refer to 
The nearby Tunica Hills region offers unmatched recreational activities in its unspoiled wilderness areas—hiking, biking and especially bicycle racing due to the challenging terrain, birding, photography, hunting, and kayaking on Bayou Sara. There are unique art galleries plus specialty and antiques shops, many in restored historic structures, and some nice restaurants throughout the St. Francisville area serving everything from ethnic cuisine to seafood and classic Louisiana favorites. For overnight stays, the area offers some of the state’s most popular Bed & Breakfasts, including historic plantations, lakeside clubhouses and beautiful townhouses right in the middle of St. Francisville’s extensive National Register-listed historic district, and there are also modern motel accommodations for large bus groups.
The forty-sixth annual Audubon Pilgrimage March 17, 18 and 19, 2017, celebrates a southern spring in St. Francisville, the glorious garden spot of Louisiana’s English Plantation Country. For over four decades the sponsoring West Feliciana Historical Society has thrown open the doors of significant historic structures to commemorate artist-naturalist John James Audubon’s stay as he painted a number of his famous bird studies and tutored the daughter of Oakley Plantation’s Pirrie family, beautiful young Eliza. A year’s worth of planning and preparation precedes each pilgrimage, and with 46 years of experience under their belt, society members put on one of the South’s most professional and enjoyable pilgrimage presentations. This year’s featured homes include Wyoming Plantation, St. Clare House, Hillcroft and Wildwood, plus a welcome new emphasis on birds.
Across from the Catholic Church is regal Hillcroft, reigning over the western end of Royal Street from its landscaped hilltop setting and crowned by a rare widow’s walk overlooking the Mississippi River. Of neo-classical colonial revival design with columned entrance portico and rear double galleries, the house is one of St. Francisville’s largest, but was built for Judge Samuel McCutcheon Lawrason for a mere $5000 beginning in 1903 on what had been a cow lot and fruit orchard. In 1925 Hillcroft was purchased by a relative and namesake of the judge, sugar chemist Samuel Lawrason Butler, whose granddaughter Julie and husband Mitch Brashier have sensitively adapted the historic home to an active lifestyle including yet another Sam, their young son.
Wildwood and its preservation-minded occupants have been integral parts of the Audubon Pilgrimage since its inception. The house was on the very first pilgrimage in 1972, and two generations of owners have served as pilgrimage chairwomen in different years (1975 and 2001) as well as being involved in every aspect of the annual tours every single year. Once a profitable cotton plantation, in 1915 Wildwood was purchased by Albert Lee Soule, president of the Soule Commercial College in New Orleans, as a weekend retreat from the city. Specifications for the 7,000-square-foot three-story farmhouse, designed by his architect brother to feature such innovations as inside bathrooms, closets and intercoms, called for assuring “all work done or materials furnished shall be first class in every respect.” In 1958 the property was purchased and revitalized by Conrad P. and Frances McVea, educators and dedicated preservationists, and now Wildwood is home to the next generation: Tom McVea, former state representative, farmer and cattleman, inveterate collector of vintage wood that somehow always comes in handy when restoring an old place, and his wife Toni.
This year’s pilgrimage has a new and welcomed focus on Audubon’s birds, for he painted 32 at what is now the Audubon State Historic Site, over 60 in the Felicianas, and more in Louisiana than in any other state. Audubon Market Hall hosts an exhibit of Audubon prints daily and Friday evening, featuring those birds rendered across West Feliciana in such locales as Beechwoods and Beech Grove Plantations, along Bayou Sara, in the Sleepy Hollow woods and the Tunica Swamp. Also on exhibit will be Audubon-inspired paintings by talented local artist Patsy Dreher and middle school art students. Of great interest will be morning presentations at Audubon State Historic Site featuring three widely respected local ornithologists guiding nature walks and giving bird talks on grounds trod by Audubon himself in 1821: Friday 9:30 to 10:30 or 11 a.m. featuring wildlife/landscape artist Murrell Butler; Saturday 9:30 to 11 a.m. featuring author/photographer C.C. Lockwood; and Sunday 9:30 to 11 a.m. with Dr. Tom Tully, LSU vet school avian specialist.
Born in Missouri, raised in Nebraska, resident of San Francisco and then Rome for many years, award-winning novelist Deborah Johnson lives in Mississippi now, setting for her riveting novels The Secret of Magic and The Air Between Us, which won the Mississippi Library Association Award for Fiction for its insightful take on human nature and endearing cast of characters. The Secret of Magic won the 2015 Harper Lee Prize for Legal Fiction and was a finalist for the Earnest J. Gaines Award for Literary Excellence. Johnson found inspiration for this book while researching the United States’ first African-American Supreme Court justiceThurgood Marshall and one of his NAACP Legal Defense Fund’s first civil rights causes of the postwar era, a black veteran purposefully blinded when a policeman used a billy club to punch out both of his eyes.
Melissa Delbridge, recently retired as archivist at Duke, is the author of the witty and wise Family Bible, called “a gritty coming-of-age story set on the banks of the Black Warrior River in Tuscaloosa, Alabama, with everything one expects of the Deep South: incest (some willing, some not), guns, bourbon, insanity, Jesus, fast women, cheating men. But Melissa Delbridge explodes and exploits these clichés into something startling and new, and in spite of the horror aroused by some events, it’s a hell of a fun ride. Delbridge’s ability to bring such joy to her readers through narratives that contain so much quiet sorrow is a true testament to her understanding of what it means to persevere.” Said another reviewer, “Reading it was like going to a reunion. Family Bible took me home.”
Also presenting at the Writers and Readers Symposium will be Louisiana’s current Poet Laureate Peter Cooley, Midwest native with a doctorate in Modern Letters from the University of Iowa (his Writers’ Workshop dissertation was a book of his own poetry) who has lived for a number of years in New Orleans, where he is Director of Creative Writing at Tulane University. His poems have been published in more than 100 anthologies and over 700 magazines. His nine books of poetry include Divine Margins, A Place Made of Starlight, The Astonished Hours, and most recently Night Bus to the Afterlife dealing with Hurricane Katrina. Besides having taught at universities across this country and abroad, he has also had the challenging opportunity to present writing workshops “in a mental hospital, a prison, in pre-schools, grade schools, high schools, and to the elderly, the socially disadvantaged, and the illiterate.” If he can hold the attention of such diverse audiences, surely he can captivate a group of rapt readers and writers anxious to hear about his meticulous approach to his demanding craft.
Back by popular demand for the Writers and Readers Symposium is award-winning journalist and accomplished author Rheta Grimsley Johnson, who has covered the South in all its glory for four decades. Following years as an intrepid reporter for newspapers both large and small in iconic southern locales like Birmingham, Memphis and Atlanta, Johnson began writing columns syndicated nationally to hundreds of papers including the Advocate, columns celebrating what Encyclopedia Alabama calls “seemingly average southern people whose stories she elevates to the universal.” It is precisely this fond look at our foibles and fascinating off-the-wall places and people that won Johnson the Ernie Pyle Memorial Award for human interest reporting as well as the American Society of Newspaper Editors’ Distinguished Writing Award. She was a finalist for the Pulitzer Prize for Commentary in 1991.