By Anne Butler
While St. Francisville developed on a high ridge overlooking the river, the port city of Bayou Sara was established in the late 1790s right on the banks of the Mississippi. Center of commerce for the surrounding plantation country, with a mile of warehouses to store cotton plus extensive residential and commercial sections, Bayou Sara was one of the 19th century’s most important river ports.But just about every spring, as ice and snow melted upriver, a raging torrent of water raced downstream and through crevasses in flimsy levees to destroy everything in its path. This included Bayou Sara, but its residents, resilient souls that they were, came back year after year after year, at least until the 1920s.
In 1890 the New York Times described a levee break that inundated the entire town, stopping all business and compelling the abandonment of stores and homes by its 10,000 residents. Again in 1892 another flood put 10 feet of water into town, with considerable loss of property. Resourceful shopkeepers put merchandise on top shelves, tried to hold back floodwaters with mud boxes, and built raised wooden walkways and gangplanks so shoppers could keep their feet dry. But it was the flood of 1912 that was most devastating, with rising waters sending Bayou Sara residents rushing into the hills as large cracks appeared in the levee.
Beulah Smith Watts of Solitude Plantation vividly recounted the experience. “The rainy season began in the early spring of 1912. The melting ice and snow from the north began to swell the river. The Mississippi River began to rise and flood the low land. The levee which protected the town became threatened. Rains and winds caused alarm. The citizens of Bayou Sara worked day and night in the rain, filling sand bags to bank the levee in weakening places. School boys worked with them. Sand boils began to appear. Citizens of Bayou Sara were ordered to move livestock and possessions to higher lands. The rains had stopped, but the winds were high…The school was in St. Francisville. On May 2, 1912, before classes had started, whistles began blowing, and bells began tolling. We knew what had happened! School was dismissed, and we pupils ran to Catholic Hill to see the water rushing in, swallowing the town of Bayou Sara. The roar of onrushing water could be heard for miles. The crevasse was 187 feet wide. The next day nothing but the tops of houses were visible. Most of the houses were swept away by the strong current of rushing water, and debris floated in the water.”
The 1912 flood devastated areas all along the river, leaving hundreds homeless as rescue trains rushed to flooded areas to evacuate residents. At Bayou Sara, one newspaper account said, “The streets are under 25 feet of water. When the water rushed in late yesterday, houses were toppled from their foundations. A great sheet of water leaping through a gap in the levee 300 feet wide swept everything before it. The smaller buildings were dashed against the more substantial structures and the debris carried on by the flood…Men and women ran wildly into their homes, picked up their children and fled, leaving all their belongings behind. Others took their positions in boats, and were picked up by the crest of the flood and carried miles from the town.”And then came the great flood of April 1927 that displaced close to a million people along the Mississippi River corridor, causing numerous deaths and threatening millions of acres of land. It was one of the world’s most devastating floods, called “the last uncontrolled rampage of the Mississippi River,” inundating 27,000 square miles. After that one, the Corps of Engineers began serious construction of substantial levees and flood control structures along the Mississippi River to protect heavily populated urban areas. But these efforts came too late to save the little port city of Bayou Sara; there’s nothing there now but a boat launch, steamboat landing, and a bunch of weeping willows.
St. Francisville, high atop the bluff overlooking the site of Bayou Sara, beckoned survivors, and up the hill they came, merchants and families, businesses, even some houses. The 19th-century Bayou Sara residents salvaged what they could of damaged homes and stores, and moved on up the hill to rebuild their lives and re-establish their businesses safe from the floodwaters.One charming little structure that travelled from Bayou Sara up the hill to safety in St. Francisville is called Miss Lise’s Cottage, comfortably resettled across Prosperity Street from the West Feliciana Parish courthouse in 1890. It was a simple Creole cottage of two rooms, roughly 16’ by 16’, each opening to the outside. The rooms were divided by a solid wall; to go from one to the other entailed a trip outside along the front porch.
The cottage was moved up for Miss Lise, the first “telephone girl” whose last name seems lost to history, and the early switchboard was on the second floor of the 1905 bank building just across Royal Street from her domicile. Until recently, Miss Lise’s Cottage functioned as an attorney’s office. Now it’s the weekend getaway for a gifted career architect/educator and a frustrated designer whose talents complement each other to a remarkable degree in a perfect example of how adaptable these historic little cottages can be in the right hands.
The exterior frontal view retains the traditional Creole cottage character, its siding soft grey with contrasting shades on columns, shutters, entrance doors and trim; the roof is corrugated galvanized steel. But oh, that unexpected interior-- all black and white and simply stunning. With renovations and additions meticulously envisioned and executed by homeowners James Kilbourne Dart and David Anthony Parker II over the past several years, Miss Lise’s Cottage will add the WOW factor to the 2018 Audubon Pilgrimage tour of historic homes in the St. Francisville area. The pilgrimage is sponsored by the West Feliciana Historical Society, for which Jim Dart’s mother Elisabeth Kilbourne Dart, gifted writer and parish historian, served as the longtime leader.
Stark white walls and ebonized flooring decorated with black Argentine cowhides set off a thoughtfully curated collection of modern art, and the few antique pieces are the crème de la crème of family treasures. New York meets Creole modern, they call it, and the balance works perfectly, a striking juxtaposition of antique and contemporary furnishings and original artworks.With their complementing creative talents and sensibilities, the partners have turned Miss Lise’s Cottage into a stunning example of comfortable contrasts, its starkly simple elegance embracing 19th-century oil paintings and family antiques from great-great-great-grandparents as warmly as naked Chinese artists and Sumatran loincloths in a carefully curated collection of artworks, all in an unassuming little cottage that climbed the hill into St. Francisville to escape Mississippi River floodwaters.
And now that St. Francisville has taken the place of Bayou Sara as the center of commerce for the area, the town showcases its assortment of unique little shops and puts the sizzle back into summertime shopping with the nighttime extravaganza called Polos and Pearls. From 5 to 9 on Saturday, August 19, the event features extended hours in downtown shops, food, music and trolley transportation for an easy hop on-hop off trip from one store to another.
Located on US Highway 61 on the Mississippi River between Baton Rouge, LA, and Natchez, MS, the St. Francisville area is a year-round tourist destination. A number of splendidly restored plantation homes are open for tours: The Cottage Plantation (weekends), Myrtles Plantation, Greenwood Plantation, plus Catalpa Plantation by reservation; Afton Villa Gardens and Imahara’s Botanical Garden are open in season and are both spectacular. Particularly important to tourism in the area are its two significant state historic sites, Rosedown Plantation and Oakley Plantation in the Audubon state site, which offer periodic living-history demonstrations to allow visitors to experience 19th-century plantation life and customs (Oakley’s main house is temporarily closed for lead abatement, but the wonderful visitor center/museum remains accessible).
The nearby Tunica Hills region offers unmatched recreational activities in its unspoiled wilderness areas—hiking, biking and especially bicycle racing due to the challenging terrain, birding, photography, hunting, and kayaking on Bayou Sara. There are unique art galleries plus specialty and antiques shops, many in restored historic structures, and some nice restaurants throughout the St. Francisville area serving everything from ethnic cuisine to seafood and classic Louisiana favorites. For overnight stays, the area offers some of the state’s most popular Bed & Breakfasts, including historic plantations, lakeside clubhouses and beautiful townhouses right in the middle of St. Francisville’s extensive National Register-listed historic district, and there are also modern motel accommodations for large bus groups.
For visitor information, call West Feliciana Tourist Commission and West Feliciana Historical Society at 225-6330 or 225-635-4224, or St. Francisville Main Street at 225-635-3873; online visit www.stfrancisvillefestivals.com, www.stfrancisville.net or www.stfrancisville.us (the events calendar gives dates and information on special activities).
Visitors often marvel at how such a little town as St. Francisville can offer such diversity. Want something to eat? There’s Chinese, Middle Eastern, Mexican, Southern, you name it, all of it good. Want to spend the night? There are Bed & Breakfasts, modern motels, golf resorts, historic, contemporary, in town, in the country, on a lake. Want recreation? Hiking the hills, biking the rural lanes, birding in the wooded areas or even in the middle of tree-shaded downtown, kayaking in Bayou Sara.
There are several antiques co-ops with multiple dealers exhibiting vintage collectibles as well as fine antiques: Bohemianville Antiques, St. Francis Art and Antiques, and the new St. Francisville Antique Mall.
The Conundrum Books and Puzzles is a quirkly little indie bookstore with a well-curated collection of reading material and puzzles for children and adults, and the West Feliciana Historical Society also has a nice gift shop with lots of regional books as well as cards and children’s things. Heirloom Quilt Shoppe has patterns and select fabrics for sewing projects and offers periodic instruction as well.
A fun special event called Polos and Pearls extends shopping hours into the cool of the evening on Saturday, August 19, with trolley transportation throughout the downtown area as shops host open houses with refreshments and live music. Participating shops are open until 9 p.m. and visitors should not miss a single one.
Located on US Highway 61 on the Mississippi River between Baton Rouge, LA, and Natchez, MS, the St. Francisville area is a year-round tourist destination. A number of splendidly restored plantation homes are open for tours: The Cottage Plantation (weekends), Myrtles Plantation, Greenwood Plantation, plus Catalpa Plantation by reservation; Afton Villa Gardens and Imahara’s Botanical Garden are open in season and are both spectacular. Particularly important to tourism in the area are its two significant state historic sites, Rosedown Plantation and Oakley Plantation in the Audubon state site, which offer periodic living-history demonstrations to allow visitors to experience 19th-century plantation life and customs. The main house at Oakley is temporarily closed for lead abatement, but the visitor center and grounds remain accessible and planned programs continue.
The forty-sixth annual Audubon Pilgrimage March 17, 18 and 19, 2017, celebrates a southern spring in St. Francisville, the glorious garden spot of Louisiana’s English Plantation Country. For over four decades the sponsoring West Feliciana Historical Society has thrown open the doors of significant historic structures to commemorate artist-naturalist John James Audubon’s stay as he painted a number of his famous bird studies and tutored the daughter of Oakley Plantation’s Pirrie family, beautiful young Eliza. A year’s worth of planning and preparation precedes each pilgrimage, and with 46 years of experience under their belt, society members put on one of the South’s most professional and enjoyable pilgrimage presentations. This year’s featured homes include Wyoming Plantation, St. Clare House, Hillcroft and Wildwood, plus a welcome new emphasis on birds.
Across from the Catholic Church is regal Hillcroft, reigning over the western end of Royal Street from its landscaped hilltop setting and crowned by a rare widow’s walk overlooking the Mississippi River. Of neo-classical colonial revival design with columned entrance portico and rear double galleries, the house is one of St. Francisville’s largest, but was built for Judge Samuel McCutcheon Lawrason for a mere $5000 beginning in 1903 on what had been a cow lot and fruit orchard. In 1925 Hillcroft was purchased by a relative and namesake of the judge, sugar chemist Samuel Lawrason Butler, whose granddaughter Julie and husband Mitch Brashier have sensitively adapted the historic home to an active lifestyle including yet another Sam, their young son.
Wildwood and its preservation-minded occupants have been integral parts of the Audubon Pilgrimage since its inception. The house was on the very first pilgrimage in 1972, and two generations of owners have served as pilgrimage chairwomen in different years (1975 and 2001) as well as being involved in every aspect of the annual tours every single year. Once a profitable cotton plantation, in 1915 Wildwood was purchased by Albert Lee Soule, president of the Soule Commercial College in New Orleans, as a weekend retreat from the city. Specifications for the 7,000-square-foot three-story farmhouse, designed by his architect brother to feature such innovations as inside bathrooms, closets and intercoms, called for assuring “all work done or materials furnished shall be first class in every respect.” In 1958 the property was purchased and revitalized by Conrad P. and Frances McVea, educators and dedicated preservationists, and now Wildwood is home to the next generation: Tom McVea, former state representative, farmer and cattleman, inveterate collector of vintage wood that somehow always comes in handy when restoring an old place, and his wife Toni.
This year’s pilgrimage has a new and welcomed focus on Audubon’s birds, for he painted 32 at what is now the Audubon State Historic Site, over 60 in the Felicianas, and more in Louisiana than in any other state. Audubon Market Hall hosts an exhibit of Audubon prints daily and Friday evening, featuring those birds rendered across West Feliciana in such locales as Beechwoods and Beech Grove Plantations, along Bayou Sara, in the Sleepy Hollow woods and the Tunica Swamp. Also on exhibit will be Audubon-inspired paintings by talented local artist Patsy Dreher and middle school art students. Of great interest will be morning presentations at Audubon State Historic Site featuring three widely respected local ornithologists guiding nature walks and giving bird talks on grounds trod by Audubon himself in 1821: Friday 9:30 to 10:30 or 11 a.m. featuring wildlife/landscape artist Murrell Butler; Saturday 9:30 to 11 a.m. featuring author/photographer C.C. Lockwood; and Sunday 9:30 to 11 a.m. with Dr. Tom Tully, LSU vet school avian specialist.
Born in Missouri, raised in Nebraska, resident of San Francisco and then Rome for many years, award-winning novelist Deborah Johnson lives in Mississippi now, setting for her riveting novels The Secret of Magic and The Air Between Us, which won the Mississippi Library Association Award for Fiction for its insightful take on human nature and endearing cast of characters. The Secret of Magic won the 2015 Harper Lee Prize for Legal Fiction and was a finalist for the Earnest J. Gaines Award for Literary Excellence. Johnson found inspiration for this book while researching the United States’ first African-American Supreme Court justiceThurgood Marshall and one of his NAACP Legal Defense Fund’s first civil rights causes of the postwar era, a black veteran purposefully blinded when a policeman used a billy club to punch out both of his eyes.
Melissa Delbridge, recently retired as archivist at Duke, is the author of the witty and wise Family Bible, called “a gritty coming-of-age story set on the banks of the Black Warrior River in Tuscaloosa, Alabama, with everything one expects of the Deep South: incest (some willing, some not), guns, bourbon, insanity, Jesus, fast women, cheating men. But Melissa Delbridge explodes and exploits these clichés into something startling and new, and in spite of the horror aroused by some events, it’s a hell of a fun ride. Delbridge’s ability to bring such joy to her readers through narratives that contain so much quiet sorrow is a true testament to her understanding of what it means to persevere.” Said another reviewer, “Reading it was like going to a reunion. Family Bible took me home.”
Also presenting at the Writers and Readers Symposium will be Louisiana’s current Poet Laureate Peter Cooley, Midwest native with a doctorate in Modern Letters from the University of Iowa (his Writers’ Workshop dissertation was a book of his own poetry) who has lived for a number of years in New Orleans, where he is Director of Creative Writing at Tulane University. His poems have been published in more than 100 anthologies and over 700 magazines. His nine books of poetry include Divine Margins, A Place Made of Starlight, The Astonished Hours, and most recently Night Bus to the Afterlife dealing with Hurricane Katrina. Besides having taught at universities across this country and abroad, he has also had the challenging opportunity to present writing workshops “in a mental hospital, a prison, in pre-schools, grade schools, high schools, and to the elderly, the socially disadvantaged, and the illiterate.” If he can hold the attention of such diverse audiences, surely he can captivate a group of rapt readers and writers anxious to hear about his meticulous approach to his demanding craft.
Back by popular demand for the Writers and Readers Symposium is award-winning journalist and accomplished author Rheta Grimsley Johnson, who has covered the South in all its glory for four decades. Following years as an intrepid reporter for newspapers both large and small in iconic southern locales like Birmingham, Memphis and Atlanta, Johnson began writing columns syndicated nationally to hundreds of papers including the Advocate, columns celebrating what Encyclopedia Alabama calls “seemingly average southern people whose stories she elevates to the universal.” It is precisely this fond look at our foibles and fascinating off-the-wall places and people that won Johnson the Ernie Pyle Memorial Award for human interest reporting as well as the American Society of Newspaper Editors’ Distinguished Writing Award. She was a finalist for the Pulitzer Prize for Commentary in 1991.
It seemed like such an innocuous, innocent little message, posted on Facebook by local med tech/mom Nancy Metz Arceneaux: “I think the painted rocks they are doing in various towns are so cool. Such a neat way to spread joy. Anyone interested in helping me get it started in St. Francisville?”
St. Francisville is home to a growing population of creative souls, both young and old, and many of the rocks dispersed around town are truly works of art. Musician Joe Roppolo, who plays a mean harmonica with The Delta Drifters blues band, has recently been turning out beautifully decorated didgeridoos, those Australian Aboriginal wind musical instruments. Now he has created such gorgeous rocks with the same decorations that he has inspired a whole class in Mandala painting sponsored by the local umbrella arts organization called Arts For All.
And beside each excited child is a grateful mom, one like speech pathologist Lucie Branton LeDoux. Not a week after Nancy Metz Arceneaux started the craze that swept her hometown, LeDoux posted her appreciation as she and her young son Will took a morning walk through St. Francisville looking for painted rocks and whatever else caught their fancy. “We live in the greatest town!” she said. “Took another walk this morning and here’s what happened. We talked about squirrels, why leaves can be seen in concrete, butterflies, pecans growing in trees, what a ‘memorial’ is (‘read the names again, Mama’), and what it means to ‘keep your eyes peeled’ for these beautiful rocks everyone is painting and leaving for others to find (my boy couldn’t stop smiling!) He told me our town is very pretty, everyone is so nice to each other, and he loves where we live, and I have to agree! Thank God we get to raise our children where I grew up! All that and a flower my boy picked for me! What a great morning!”
Inspirational small-town morning strolls and painted rocks sharing the joy of life and the warm sense of community…just a few of the things St. Francisville is grateful for as Thanksgiving is celebrated. Small-town pleasures, small-town treasures.
Autumn’s cooling temperatures tempt hikers into the rugged Tunica Hills, the falling leaves having opened up vistas not visible in summer’s tangled overgrowth and the mosquitoes, poison ivy and snakes no longer nuisances. The waterfalls of nearby Clark Creek Natural Area are an especially popular destination for outdoor recreation enthusiasts based in St. Francisville.
Every Sunday in October the Louisiana State Penitentiary on LA 66 at Angola puts on “The Wildest Show in the South,” with a huge variety of prisoner hobbycraft sales, tons of food, inmate bands, and hair-raising rodeo events unique to this prison setting. Other than the ladies’ barrel racing, all rodeo participants are inmates in this enormous maximum-security penitentiary, and they keep the crowds on the edge of their seats from the moment the black-clad Angola Rough Riders charge into the ring at full gallop, flags flying. The covered arena seats over 10,000 and fills up every Sunday. Grounds open at 9 a.m. for the arts and crafts, and the fascinating state museum at the entrance gate will also be open, allowing visitors to make a full day of it. The rodeo starts at 2, and advance tickets are a must. Prison website at
Just as exciting is the Warrior Dash on Saturday, October 8, at the West Feliciana Sports Park, a down-and-dirty mud-covered survival-of-the-fittest footrace (
The last weekend in October, Saturday 29th and Sunday 30th, the Yellow Leaf Arts Festival draws crowds of art-lovers to oak-shaded Parker Park with its bandstand right in the middle of St. Francisville’s downtown National Register-listed Historic District. A festival called “authentic, genuine and full of small-town charm,” Yellow Leaf from 10 a.m. until 5 p.m. showcases the works and talents of more than 50 artists and crafters who offer paintings, metal and woodwork, fabric art, books, sculpture, glass art, jewelry, carvings and lots more. This outdoor celebration of all things creative also includes art activities for children and local farmers with home-grown sweet potatoes both cooked and raw in bulk.



It has been called the little town that’s two miles long and two yards wide, not much of an exaggeration, for the land falls off very steeply behind structures occupying the high ridge comprising its two main streets. As the area was under Spanish control as part of West Florida when it was laid out in 1807, St. Francisville’s two streets were dubbed Royal and Ferdinand in tribute to the Spanish crown. Royal boasts the most beautiful historic homes, but Ferdinand was originally the center of commerce and still is today, lined with boutique shops and art/antique galleries intermingled with Victorian cottages. This unusual mixture of residential and commercial structures gives a significant 24-hour presence to St. Francisville’s very-much-alive downtown, now designated in its entirety a National Register Historic District and a Main Street Community.
During much of the 19th century, Bayou Sara was the most important port on the Mississippi River between Natchez and New Orleans, with a mile of warehouses to store cotton plus extensive residential and commercial structures, its riverbanks lined with steamboats. The West Feliciana Historical Society museum on Ferdinand Street has an impressive display of vintage images showing early life in Bayou Sara, many showing floodwaters up to the roofs of houses and stores, and raised wooden walkways to provide dry passage for shoppers during flood times. This, of course, is one of the only unlevee-ed stretches of the Lower Mississippi, and with no levees to hold the water in its channel, when the Mississippi is running high, floodwaters engulf all of the lowlying lands below St. Francisville. During the devastating floods of the early 20th century, most of Bayou Sara was washed away or destroyed, leaving only stands of cottonwoods, willows, and the Corps of Engineers Mat Field where concrete mats are manufactured to line levees to combat erosion.
A collection of letters from Max Nuebling, covering the period from October 1822 as he leaves his home in Germany to join his uncle in Louisiana to August 1826, gives in fascinating detail an intimate look at life in early Bayou Sara/St. Francisville, where Uncle Dieter Holl operated a store in his home, now known as Propinquity. Young Nuebling’s writings, preserved at the West Feliciana Historical Society, also shed light on the appeal of this fledgling new country, with all its promised opportunities and freedoms, to immigrants from the Old Country, making them willing to risk life and limb on ocean voyages that were fraught with dangers and must have seemed interminable.
Today Bayou Sara is long gone, but St. Francisville continues to attract new residents from near and far. Consistently ranked as one of Louisiana’s most popular tourist destinations, the little town of fewer than 2,000 residents has just as much to offer those who live there as those who simply visit. New restaurants and groceries, new library and bookstore, new boutique shops and galleries, new sports park offering not only recreational opportunities for all ages but a new focus on homegrown festivals as well, new hospital under construction, great hiking and historic attractions...no wonder its current logo boasts “We Love It Here.”
The nearby Tunica Hills region offers unmatched recreational activities in its unspoiled wilderness areas—hiking, biking and especially bicycle racing due to the challenging terrain, birding, photography, hunting, and kayaking on Bayou Sara. There are unique art galleries plus specialty and antiques shops, many in restored historic structures, and some nice restaurants throughout the St. Francisville area serving everything from ethnic cuisine to seafood and classic Louisiana favorites. For overnight stays, the area offers some of the state’s most popular Bed & Breakfasts, including historic plantations, lakeside clubhouses and beautiful townhouses right in the middle of St. Francisville’s extensive National Register-listed historic district, and there are also modern motel accommodations for large bus groups.
Newly established contemporary gardens can showcase the latest in horticultural research, the newest plant varieties, the most up-to-date techniques. Old gardens, on the other hand, those glorious few left from the 19th century when gardening benefitted from unlimited labor, rich soil and the happy climate of south Louisiana, have a charm and character that can't be matched, the secret shadows and sun-dappled parterres of plantation pleasure grounds adorned with latticed summerhouses and brick pathways, with always a pleasant scent perfuming the air.
The Trimbles not only determined to undertake the project, but persevered through four decades of voracious deer and marauding wild boar, pond levee blowouts and the savage winds of hurricanes uprooting enormous trees and altering the understory sun/shade dynamic more than once.
Now LSU Press has published Genevieve Munson Trimble's book, AFTON VILLA; BIRTH AND REBIRTH OF A 19-CENTURY LOUISIANA GARDEN, with gorgeous color images by several Louisiana photographers and from the author's personal collection. Successes, failures, struggles and triumphs, Mrs. Trimble includes it all, including her explanation of the necessity of respecting the soul of the old landscape. "We resolved to restore the spirit of the original garden, and to protect it as well. We would beautify, enhance, even superimpose our own ideas, but at the same time we would be very careful never in any way to obliterate the original footprint of the garden or the house. Whenever possible, we would use old nineteenth-century plants and ornamentation such as might have conceivably been contained there originally, but in the interest of practicality, availability and maintenance, we would be willing to make substitutions, so long as they were compatible with the spirit of the garden. What do I mean, one may ask, when I say the spirit of the garden? To me it means the ambiance that permeates or surrounds a garden. At Afton, I am referring to the almost indefinable aura of past grandeur and, even more than this, the ability to have sustained and risen above the rigors of unbearable tragedy."
Mrs. Trimble has received widespread recognition and many prestigious awards for her rescue of the Afton Villa Gardens as well as a number of significant projects in New Orleans. Her book is available at area bookstores and online, and the West Feliciana Historical Society in March joined the Southern Garden Symposium to host an immensely successful book-signing reception at Afton Villa.
There’s just something special about small-town Christmas shopping, with welcoming shopkeeps, unique settings with plenty of character, and one-of-a-kind inventory, combining to make the experience enjoyable, as opposed to the dreaded harried hurried crush of big-box stores. And St. Francisville’s wonderfully varied boutique shops and galleries deliver all that in spades, especially during the ever-popular Christmas in the Country. This year set for December 4, 5 and 6th, the safe, family-oriented weekend is crammed full of spectacular seasonal decorations, musical entertainment throughout the National Register-listed downtown, breakfast with Santa and a colorful parade themed “Baby, It’s Cold Outside,” caroling and window-peeping, plus contemporary house tours and even a symphony concert.
Millions of white lights trace soaring Victorian trimwork and grace gallery posts to transform the entire picturesque little town into a veritable winter wonderland for Christmas in the Country. The mayor lights the town Christmas tree Friday evening, Dec. 4, with a reception and fireworks beginning at 6 p.m., followed by a chance to “Peep into our Holiday Homes” along Ferdinand and Royal Streets from 6 to 8.
A Saturday house tour (10 to 4) benefits the wonderful new parish library and showcases some unique contemporary homes as well as beautiful 19th-century St. Mary’s Church. Tickets ($25 in advance, $30 day of tour) may be purchased at the library, online at
St. Francisville’s oak-shaded Parker Park overflows with children’s activities, music, food and crafts vendors all weekend including Friday evening, and there will be entertainment throughout the historic downtown area, featuring choirs, dancers, bands, and other performers. Talented art students display their works at local shops, with purchase proceeds benefitting the local school arts programs. A Charlie Brown Christmas movie will be shown at 2 p.m. in Jackson Hall.
The Christmas parade, usually held on Saturday, will be on Sunday, December 6, this year, beginning at 2 p.m. and traversing Ferdinand and Commerce Streets. Sponsored by the Women’s Service League, the parade features gaily decorated floats, marching bands, and of course Santa Claus riding atop a vintage fire truck. The Baton Rouge Symphony Orchestra has its Holiday Brass concert and dessert reception at Hemingbough Sunday evening beginning at 7 p.m.; tickets are available at Bank of St. Francisville.
The town’s longstanding popular anchor stores have been joined by a number of smaller boutiques offering a wonderful variety of wares—antiques, collectibles, original artworks, upscale and affordable clothing, housewares, decorative items, jewelry, books and children’s playthings-- to remind visitors how timeless is the excitement of small-town Christmas shopping at this exuberant celebration of the season.